One bit of feedback I got when showing the game to a friend recently was that it was fun to drive, but picking up loot was beyond terrible. That’s because you have to manage traction, speed and direction even when you’re just trying to hoover up whatever you found in a weapons cache you just blew up. It’s just a whole bunch of stunt driving to scoop of some stuff that might only be worth a few bucks.
“Got it covered,” I boasted… I’d already planned to add in a “radar pulse” that would do the triple duty of revealing hidden things on the field, “painting” targets for improved accuracy, and acquiring items in a small radius around the player’s car. Super-convenient when you are in between fights, but when you’re in the thick of it you do have to deal with its cooldown. There’s also the precious action that you have to use to activate it, rather than using it to shoot or turn.
Feeling smug about my clever solution, I recalled how long ago I decided on my solution. It was……….. over a…. year ago. For something like 15 months I’d been picking up loot in the worst way possible. Errr… awesome. Guess I should get that damn thing in.
It took an embarrassingly short amount of time given the sheer weight of procrastination behind it.
Some days you take pleasure in the smallest of victories.
More and more of my time is spent messing with data rather than code. A procedurally-generated game like Auto Fire has a lot of data to shuffle around, defining a nearly endless list of things. These titles generally rely on complex rules to assemble what might be one-off creations in other games. These rules are for things as varied as:
Map sectors, layout generation data, name generation data
Map Locations, loot tables, shops
Tiles, obstacles, decals
Enemies, squads, encounters
Cars, chassis types
Tires, engines, armor upgrades
Weapons, equipment, ram plates
Luckily I was able to use a bit of code given me by a good friend as a framework for defining these. Since I hooked the system in, the definitions have spread across 15 directories and 70 files, and that’s with not a lot of content defined as of yet. By comparison, Dungeonmans has nearly 600 data files just for content definitions (nothing to do with actual art or audio content), plus god knows how many other little files squirreled away.
Creating the content itself is daunting, but nearly as tough is managing all this. It can be hard to organize and keep straight. A small victory this morning was when I improved comment support in my definitions, but more importantly I added inheritance. This allows me to define a base definition and then overlay changes with another definition. It cuts down on a lot of extra text and correction as I add new features to the game, and makes creating a whole line of related objects a quadrillion times easier.
For example, a vehicle’s chassis defines a lot of the weapons and equipment you can mount on it, as well as the model that is used for your vehicle on the battlefield. You will ultimately be able to buy a new vehicle at a car dealer, and pick out the chassis that will serve your needs the best.
The Stallion is a line of muscle cars, each of which is beefier and sports a larger engine than the last. With inheritance I can create a set of upgrades much more easily:
name "Econo Stallion"
armor_base "100 100 100 100"
Engine "None default engine_rank_1"
Tires "None default tires_base"
Armor "None default armor_base"
WeaponRam "None default wpn_ram_base"
flavor "The doors rattle a bit if you slam them, but you'll feel like a thousand bucks behind the wheel of any Stallion."
name "Grand Stallion"
Engine "None default engine_rank_2"
flavor "Listen to the throaty purr of the Thundercat engine. Revel at the enhanced electronics package, and even stash more cargo! Welcome to the Grand Stallion."
It only took like 20 minutes to implement, I can’t believe I put it off so long. I guess my data was so in flux that I haven’t been creating a lot of content, just a lot of systems… Now I gotta go clean up my data.
Over the July 4 holiday I managed to get a good, solid, 5-day weekend, which in turn gave me great blocks of time to work on Auto Fire. It felt great to get some really nagging things out of the way. There’s a bunch of stuff here that is new since last time I blogged about it:
Site System. I created a new structure for holding what I call “sites”, which is any point of interest on the map. This can include cities found in the overworld, highway entrances and exits, garages, and even regular landmarks and points of interest. The sites are what I use to guide road plotting, so roads can connect exits, cities, garages and even just weird old non-functional shacks out in the desert, which I constructed from groups of tiles. It gave me a system for sprinkling them into a map from a table, which adds more life to most maps.
Encounter System. The encounter system is something that I’ve wanted to do for a while, to allow the player to deal with random stuff that they meet along the way. Call it FTL-style, although I associate the concept with pen and paper games as well as wayyyy back to ancient games like Odyssey on the Apple II. This allows players to consider some simple risk-reward propositions, or to choose between acts worthy of fame or notoriety.
Stylized Visual Effects. I took some of the realistic visual effects for weaponry, explosions and smoke and returned them to the stylized versions I had used a year ago. I found that these stylized VFX had extra punch and grabbed the player’s attention among a lot of noise, but more importantly, fit the oddball scale of the world in Auto Fire. With buildings and cars and chests all coming in at unrealistic sizes when compared to each other, I found that realistic visuals just made that mismatch even more pronounced. Somehow having unrealistic smoke and fire just helped with the suspension of disbelief, and I think it can look just as compelling.
Walled Outpost Generator. One of the biggest things I got done over the holiday was to finally prepare enough ramshackle walls, dirt roads, windmills and metal-roofed buildings to create a special generator for badlands outposts. This is a heightmapped terrain map that sets aside a center section as the “core”, where buildings and certain visual points of interest will lie. Around the perimeter is a wall made of scrap, cars, wood, and anything else… I had to make a version of my patch generator that would stretch and rotate this wall in any direction with repeating motifs. Dirt roads are then stretched to the various sites around the map. I’m really happy with how it came out.
Smoother Driving Feel. One thing I did fix in recent months came from feedback I got from right after the 7DRL that spawned Auto Fire… For some players the movement felt stuttery and halting. Part of that is unavoidable with a turn-based game, but some of it was fixable. There is no longer a single-frame stop between various units executing their turn, and if the player cues up multiple moves, it executes smoothly if possible. The movement from square to square in slightly slower than it was as well, creating an subtle improvement that I feel when running the new build versus an old one.
Wall Deflection. This last one feels intangible as well, but I implemented it because the more I played, the more I felt cheated that the mechanic did not exist. If the player is heading diagonally towards a wall at high speed, he or she can get deflected off the wall and into a new movement path parallel to the wall. This is a fairly common occurrence in the city maps in particular, and even lets players use it to their advantage if they wanted to keep shooting rather than steer (this is an option in Auto Fire!)
Okay, so there’s a lot more work to do. I feel that I’ve hit some fine polish points, but I mainly need to assemble content together into something more playable, to have more of a reason and tension in the overworld. All that will hopefully come next.
It’s funny how I spent all this time to create a prop distribution system, created tiles and various features to randomize and space out various tiles but never have the time to really find good models to populate the map with… so sometimes I play on a fairly empty map.
I spent the morning digging up some reasonably non-terrible assets to build tiles out of, and the results are luckily pretty good:
The problem is that whenever I’m doing visual stuff I’m both happy because things look better, but I feel guilty that I’m not working on function… Back to work!
Auto Fire is continuing to look better these days. I got rid of the object-based fogging and returned to the old-school concept of putting a 2D plane between the camera and the world. You’d think it would look obvious but with a little fancy math I can scale and position the plane so that users are (more or less) none the wiser. I was able to add some perlin noise and give the fog two colors (defined per map) that makes everything smoother and more pro.
I put more effort into the overworld as you can see above. Those roads are generated now, as well, followed by a smoothing step that places the correct road tiles in the correct locations. There are still a few specific intersections that I neglected to create tiles for (mostly diagonals to other diagonals) but the overworld is now guaranteed passable and locations have roads between them. The roads make the overworld far more simple to navigate and find out-of-the-way locations.
I still have to finish off some of the world connections and then optimize the hell out of the world generation (currently coming in at 15 seconds) but it should be pretty quick and easy to trim all the low-hanging fruit (I don’t cache the passibility of each tile yet when calculating paths for example). Always more to do…
Dang, I guess it’s been a few weeks and mostly I’ve been working on more of the inventory system. I managed to get the Garage working fully and now they appear on the map as places you can load out your gear, repair and refuel.
Working on infrastructure for this long gets a bit taxing, so I wanted to switch over to something more visual for a palette cleanser… so I chose to noodle around with Fog of War (not the most fun thing, but better than weeks of UI noodling).
Nerd Alert inbound!
My Fog of War (that is, how I represent areas of the map you haven’t explored and/or can’t see) is currently implemented tile-by-tile. I implemented it by creating a custom shader that fades out the individual tile models based on a fade value I feed each one. This has a few drawbacks:
The edges are hard and look a bit amateur as a result.
The fade currently goes to black, which is fine for dungeons but not appropriate for all my above-ground venues.
(Large areas of black also look a bit “cheap” on 3D games, although that’s my own personal bias. 2D Roguelikes somehow look just fine with the very same thing, however!)
I can only fade per-mesh, so in order to support height-mapped terrain meshes, I’d have to write some wacky shader to handle it.
I have to put a custom material on every model, and write a shader for any weirdo material tricks that a specific mesh wants to use.
I did some experiments with non-black fade colors, which didn’t add a ton of complexity to the shader but still emphasized hard edges. Also, I had to turn off screen space ambient occlusion (SSAO) to make it fade to the pure color, which is something I use for my terrain features to “pop” a bit more. Not a huge loss, but it only reminds me about how my technique is impacting my rendering and asset management.
In the end, I’d like a fairly “soft” (and in my opinion, more pro-tier) representation of Fog of War. For most 2D Roguelikes, the common technique is to place a huge planar texture between the camera and the world and draw areas of black and transparency over it to obscure undiscovered areas. I had steered clear of this technique because my terrain is 3D and my camera is a perspective projection with a viewing angle of about 35 degrees… this causes the Fog plane to parallax (obscure different areas based on the viewing angle)…
However, this can be solved with math… I can scale and offset the fog of war plane to match a fairly flat map, so I’m going to try it out. Granted, using a plane will fail if the player ever drives up a hill (which is something I support, but only use in a few locations), but I think this technique should do well for all my current combat areas (not the adventure ones) for the short term. Will see if I can get it rigged up tomorrow morning before work. Wish me luck!
The Seattle summer has finally gotten into full swing and it’s harder to stay inside, but in spite of this I’ve pulled together some time to work on Auto Fire’s core player systems… and this involved a lot of time with Photoshop and Word as well as with Unity and Visual Studio.
As a rule, I design in a a very top-down way… Visuals, mockups, and models are very important for me to get my head around the design as well as to communicate it to others for feedback. My objective with Auto Fire was to keep the spirit of the deep car customization from games like Car Wars, but to streamline it for a smoother play experience.
I was a huge fan of Car Wars back in the eight-e’s, but building a car for the game involved a wholllllle lot of pencil lead and eraser nubs…. like, blackened rubber crumbs all over the damn place. Players had to choose their body style, chassis, engine, tires, armor, weapons and equipment, all while balancing out limited space, weight and engine power to push everything forward. It was great, but it was a solid half-hour (more or less depending on your experience) to make a good build… If it helps you get a feel, think of the time investment of rolling up a new pen-and-paper character or, say, building a new Magic deck.
Incorporating mechanics for hardcore things like weight and spaces wasn’t impossible to pull off, but things like switching out weapons or changing gear can feel like something of a chore… I felt I could do better. For years and years now I toyed with the idea of applying a Diablo-style inventory grid, perhaps combined with the damage grid system from a number of FASA titles (I personally was a fan of the Renegade Legion series). The idea had some promise, in that players had to find space on their vehicle for various weapons, and make tradeoffs to clear space for special equipment, huge engines, or cargo. In addition, damage could be allocated square by square, penetrating into the car and damaging components as it reached them.
Being a top-down designer, my preferred way to hash out problems like this is to mock up the interface, move parts around, and visualize how it will feel for the player. As I played with the parts I started to realize that applying “damage templates”, is really a kind of magic made for pencils and templates and the tension of rolling locations and hoping the template doesn’t include your driver or engine. In a digital product where you don’t color in the squares yourself, it threatens to descend a bit into indecipherable noise. In addition, when rearranging a car into different configurations, the spatial rules of vehicles started to clash with the system… often the only extra room for a driver or engine was in the back corner or something. It just didn’t feel like a vehicle the way I wanted. Finally, I really wanted to incentivize the player to socket in new equipment as it is encountered, acquire new cars and choose various ones to meet the specialties for specific missions. Ideally buying a new car gets you more than just a new set of numerical stats and grid layout. “Vehicle loadout Tetris” still fascinates me and I’d love to try a PnP version of it or implement it into a arena-based game, but I’m steering away from it for this particular project. (See what I did there, wakka wakka).
Sooooooo in the end I went back to something a little more akin to decking out gear in an RPG, but there are some nuances that I believe will feel fresh when applied to vehicle loadouts. When decking out a vehicle, the starting point is always the Chassis. This is the body that everything else is built upon… The player can acquire them at car dealerships, receive them as mission bounty, or salvage them in the wilds as loot. Each chassis has some base stats that any equipment will modify, such as handling, armor, and fuel capacity. It also has some built-in equipment as well as slots that can be customized… Each vehicle body ultimately sports a fairly unique configuration.
Some chassis can sport large engines, but have limited handling. Some can hold huge amounts of armor, but can only mount a large tank weapon in the front. Some might have a turret mount, but the armor cannot be upgraded. Some have a slower engine that cannot be replaced, but can haul an amazing amount of cargo.
Chassis and equipment can be found with mods that add additional bonuses and abilities that make finding loot interesting. Weapons can be placed on any side of most vehicles, but heavy weapons need special mounts to be used, and turret slots are fairly rare. Ram Plates can have explosive charges or sharpened edges for added effects. Engines define a vehicle’s top speed, but it can also have acceleration benefits or a larger fuel capacity. Tires can improve handling, but they can also resist damage from spikes or add to stealth properties. An Armor Frame can boost a car’s armor, make it fireproof or laser-reflective, or even add mounted blades to slash on-foot enemies when driving adjacent to them.
Cargo Capacity is one of the most important reasons for players to change up their rides, as each chassis has a different number of cargo slots. Most found equipment can be picked up without concern for weight or space (again, I didn’t want being out in the waste recovering gear to be a hassle), but cargo slots are used to hold major items for courier jobs like scientific gear, or priceless art, or passengers. Rather than always running at capacity, however, a smart Driver may leave an extra space available in their vehicle during a run. This way they are prepared in case they run into special salvage out in the wilds, or a civilian who needs transport to safety… for a hefty price, of course. And if you find a crate of priceless military tech as you pick your way through a wrecked convoy and have no room…? Well, you can always kick that sorry bastard to the side of the road to make space.
So all of this has to come together into a playable whole, of course. I’ve got a lot of the core systems and definitions together for dozens of pieces of gear, but the next step is to implement the garage interface where players can buy and sell equipment as well as reconfigure their loadouts. And there’s much more to do to make sure that decking out your car is as interesting as it possibly can be. It’ll be an interesting summer.
In case you’re new to Auto Fire, here’s an overview. If you are familiar with it, here’s a hint of what’s been happening over the past few months…
Auto Fire is a turn-based roguelike auto combat RPG set in the roads and cities of the shattered American west. Enhance your vehicle, take on missions and build your name in a world where the only way to thrive is to drive.
Auto Fire is a deep, randomly-generated experience that combines the free-roaming adventure of games like Autoduel and FTL with the turn-based precision driving of games like Roadwar 2000 and the original Car Wars tabletop game.
An important part of the game is the player’s relationship with his or her car, and the ability to mount bigger and better weapons and equipment.
I’ve been a game developer for 24 years, both as a programmer and a designer. In my past I have worked on titles like Heretic II, Jedi Outcast, X-Men Legends, and Dead Space 2 and 3. These days I do design exclusively for my day job, and I miss programming. I was also a big fan of the tabletop vehicle combat games of the 1980’s and want to create something worthy of that world.
I use Unity 5.6, Visual Studio, Adobe Photoshop. Blender and Perforce when I get desperate.
Over the past couple of months I’ve been reworking the weapons systems to allow for special attacks over time such as machinegun bursts and oil slicks. An equipment system is in place that allows for secondary abilities to be mounted on the car such as radar sweeps and targeting computers. These systems are coming on line as well as a new inventory system.
A city map can now generate complex environments with special boss arenas and repair stations. The starting enclave has now been enhanced with new assets. New music, vehicles and effects have worked their way into the build as well.